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Cleopatra

by andy vores

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1.
Troubles 4 01:05
2.
Winged by my multifeathered flexed knees, Soft down'd in peacock colors, My triangle pressed against your chest, Connecting the three points of your flesh's compass, A nude woman flies South towards Summer– As the swallow flies, By degree and nature Crowned and earring'd by love, My hair a ragged river flowing Towards your sea–black tributaries Raking your beaches, where in the Turquoise-veined granite of Hammamet I build my monument.
3.
I scatter before you like pollen Opening like a boulevard of Lebanon cedars, Leaflets of other loves fluttering in a cyclone of chariots My eyes, no longer rimmed with kohl, Stare blankly into hurricaned space. The twin asps of desire and despair Glisten in polished armor at each breast. You are smeared with my ash, Your forehead marked With my sacrificial sign, Its white imprint rising like hieroglyphics. Ah, beloved Incense burner, Trailing the burnt-out cinders Of your Exits and Entrances.
4.
The lover's total death in your cool limbs pale and doomed and it seems without life Clutching my flanks like a drowned man, Know that I love you, That door after door will open for you, That avenue after avenue will part for you, That continent after continent will divide for you. The equatorial heat of Africa is nothing compared to The heat of my Ptoleminian blood, rich and prancing, Made for passion's diadem, Love's ardors dried, like a garland round my hips. I dream myself back into the night and pull the hair Out of your shaggy breast until you cry out Knowing that I love you.
5.
The moon rises over your left shoulder Ah, night beauty, did we love in other lives? Haunted since Persepolis by this invention? Your face hungry lives A hundred incarnations under mine, Hair frayed like a winter chrysanthemum, Golden eagle! Blue steel under pale lashes, Antonius! Three centuries since Alexander Haven't changed you–I know you! This is not The first thunder but a thousand-year recognition! I remember you from the young planet, King of Macedon and godson of Caesar. Like your soldiers, I would as soon die for you As dine at Amimetobioi.
6.
But beware, beloved, Ptolemy women engender violence, Command money, men, and manumission. Cleopatra revels in infanticide, regicide, and patricide. Ptolemy the builder of the museum fathered Ptolemy II, who exiled his wife to marry his sister. Ptolemy IV murdered his father, brother, and mother; Married his sister but murdered her. Ptolemy V married his sister but murdered her. Ptolemy VI, who married his sister Cleopatra, who Married both her two brothers, of which one brother, Ptolemy VIII, murdered his child by Cleopatra out of Vengeance on this wife and sister when she became queen. He then married his wife Cleopatra's daughter by her Second husband, his brother and she, his niece. Ptolemy VII, murdered by his father and uncle, who had Married his mother, who was also his sister, whom he Murdered on her wedding night, was also brother to Ptolemy IX, the other son murdered by his father, Or his aunt, or his half-sister. Ptolemy X married his sister Cleopatra, but Ptolemy XI murdered his mother Cleopatra. Ptolemy XII married his cousin Cleopatra but murdered Her and was himself murdered by the people. Ptolemy X, a son of Ptolemy XII, fathered a Cleopatra whom he murdered to regain the throne, Leaving this Cleopatra beside you and her two brothers, Ptolemy XIV, who drowned fleeing a lost battle, and Ptolemy XV, whom I, Cleopatra, married and murdered.
7.
O friendly enemy, we have loved, Loin and haunch, limb and flank, truth and lies, Tressed like a pair of ancient Armenian vines Grown together root and branch in stunted Commingling without End or Beginning. If we part, you will leave with half of me, Or I with half of you, and nothing will kill The pain of dismembering. That ache like some rare jewel Will hang round our necks to touch, In tender tremulance, an old wound of amputation That burns and groans in limbs no longer existent But splintered and crushed In some long-forgotten and useless War.
8.
And so love passed through a Nude Woman. My sun was in your moon, astrologically fixed forever In the universe of your faithlessness, My spirit distilled in your flame To pure sapphire-veined gold. The fanatic is gone, The formula, acid-engraved on my soul, My heart a glowing coal, fiances hotly with Galaxies, Liver and spleen pure rock-crystal, My body a transmitter of rare and charged Energy from distant planets while Our milky ways curse and rumble On the edge of space, violent configurations Of the End of Earth.
9.
Troubles 5 01:32

about

CLEOPATRA sets eight poems from Barbara Chase-Riboud's cycle PORTRAIT OF A NUDE WOMAN AS CLEOPATRA. These are intensely erotic poems in which Cleopatra and Mark Antony map out their passion for each other. The poems I have set are all spoken by Cleopatra and there is a palpable sense of danger in them; the danger of losing all control, of self-destruction. The poems are set in four groups of two, each set of two beginning with declamatory recitative-like music, and the first two groups of two beginning with fiery, thick-textured piano solos.

Aliana de la Guardia, soprano
Tae Kim, piano

Recorded at Futura Studios, Roslindale
Recording Engineer John Weston

more information and (free) pdf score at www.andyvores.com

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released April 20, 2020

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